Sweet Fanny Adams in Hyperspace Eden

Robert is a director of Fifty Nine Productions and has worked with Leo on all their major projects. He worked as dramaturg on the original production of Sweet Fanny Adams in Eden, in the Scottish Plant Collectors Garden, Pitlochry in 2003 (Stellar Quines).

Read Robert’s writings on the Internet and digital technology at RobertSharp.co.uk

Leo is the founding Director of Fifty Nine Productions. Since the company was created in 2001 he has acted as Creative Director on all their major projects. He worked as dramaturg and video designer on the original production of Sweet Fanny Adams in Eden, in the Scottish Plant Collectors Garden, Pitlochry in 2003 (Stellar Quines).

The company’s film work includes: 59 Rodney Street (National Trust); An Introduction to the Royal Botanic Gardens (Royal Botanic Gardens Edinburgh); Follow A Shadow (Simon Warner, Impressions Gallery); A Guide To Yorkshire Rivers (Simon Warner/The Culture Company); Roam Wasn’t Made In A Day (Grid Iron/NTS); The Unrecognized (Adalah/Oxfam).

Video Design for Theatre includes: Waves, and Attempts On Her Life (National Theatre); Satygraha (Improbable/ENO); Death In Venice (ENO); Seven Deadly Sins (Royal Ballet); Alex (Improbable); Black Watch (NTS); Roam and Fierce (Grid Iron); Escapology (Suspect Culture); Borderland (7:84); Arthur, Story of a King (Wee Stories Theatre Company).

Visit the Fifty Nine website to read about Leo’s latest projects…

Judith holds a BA (Hons) degree in English from the University of Cambridge, and a teaching certificate fin English and Drama from Bretton Hall. She was Script Reader for the National Theatre 1995-6, and for Sheffield Theatres 1997-2002. She waas Writer in Residence for Sheffield Theatres 1997-98 and Writer in Residence at the University of Sheffield in 2000.

Writing for Theatre: Burdalane, Villette, The Little Mermaid, The Bone Room, Queueing For Everest

Writing for Spaces: Sweet Fanny Adams in Eden, Ghost, ClickWind.

Writing for Radio: Almost Blue, Middlemarch, The Mill on the Floss, Me and I, The Bridge of San Luis Rey, Rob Roy, From the Waist Up, Wit, Scottish Suffragettes, The Midnight Fox, From The Alleghenies to the Hebrides, Agnes Grey, Burdalane, Islands, A Very Profitable Island? and Meetings With Remarkable Cats.

Visit Judith’s website to read about her current work.

Judith holds a BA (Hons) degree in English from the University of Cambridge, and a teaching certificate in English and Drama from Bretton Hall. She was Script Reader for the National Theatre 1995-6, and for Sheffield Theatres 1997-2002. She waas Writer in Residence for Sheffield Theatres 1997-98 and Writer in Residence at the University of Sheffield in 2000.

Writing for Theatre: Burdalane, Villette, The Little Mermaid, The Bone Room, Queueing For Everest

Writing for Spaces: Sweet Fanny Adams in Eden, Ghost, ClickWind.

Writing for Radio: Almost Blue, Middlemarch, The Mill on the Floss, Me and I, The Bridge of San Luis Rey, Rob Roy, From the Waist Up, Wit, Scottish Suffragettes, The Midnight Fox, From The Alleghenies to the Hebrides, Agnes Grey, Burdalane, Islands, A Very Profitable Island? and Meetings With Remarkable Cats.

Visit JudithAdams.co.uk for an update on her latest projects.

Trained: Queen Margaret University College

Directing Credits include: A Christmas Carol (Royal Lyceum Theatre), Sweet Fanny Adams in Hyperspace Eden (Co-Director, 59 Ltd/ Whitestone Arts), Hambledog and the Hopping Clogs (Edinburgh Fringe and The English Theatre Warsaw), Solemn Mass for a Full Moon in Summer (Gateway Theatre). As Assistant Director: TWO (National Tour), Roam (Grid Iron Theatre Co & The National Theatre of Scotland), Three Thousand Troubled Threads (Stellar Quines, EIF & Byre Theatre), Anna Karenina, The Girl with Red Hair (Co-production with Bush Theatre) & Othello (Royal Lyceum Theatre Co.), Sweet Fanny Adams in Eden (Stellar Quines Theatre Co.), 15 Seconds (Traverse Theatre). Jemima is an associate of Stellar Quines Theatre Co.